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Eric
Bana wonders if he's taken the body-piercing thing
too far in Chopper.
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Writer-director Andrew Dominik's debut Chopper is
a notable reflection on crime, fame, and the public fascination
with crime figures. It's also the story of Mark Brandon
"Chopper" Read, Australia's most notorious criminal.
But where Chopper deviates from the standard fare
is that it reveals Read to be a liar, a psychopath, and
an egomaniac devoid of any sense of right or wrong. Loosely
based upon Read's memoirs, Chopper boasts an exceptional
performance by Eric Bana, who reveals the confused failure
of a man behind the hip public image.
Rather
than a straight start-to-finish biopic, Dominik opts to
start Read's story in 1976, when Read is already serving
time on a kidnapping charge. He's involved in a battle for
control of his cellblock, and his brutal quest for power
sets off a series of events that ultimately make him a marked
man. When he's refused a transfer to a safer prison, he
coerces another inmate into mutilating his ears so he can
be taken out of the cellblock on medical grounds.
We
then join him eight years later, back on the streets of
Melbourne, unable to readjust to life on the outside, or
to differentiate between fact and his own warped version
of the truth. The more he lies to create a glamorized image
of himself, the more his life slips deeper into chaos. Eventually
his paranoia reaches unbearable levels.
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