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Interview
George Evelyn, AKA DJ Ease, better known as Nightmares
On Wax, talks about Buffalo Gals, stealing TV speakers
and spinning on his head with our Editor-In-Chief, Peter Carbonaro.
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With
the two most recent DJ Kicks releases on !K7 -- Kid Loco and
the Stereo MC’s -- heralding a shift towards a more hip-hop
based sound, the latest entry in the series -- Nightmares On
Wax -- makes the boldest move toward that direction, spotlighting
tracks from hip-hop luminaries such as A Tribe Called Quest.
We recently had the chance to speak with the man behind N.O.W.
on the past, present and future of Nightmares On Wax.
When
you were younger, I know you were very into ska, and reggae,
then breakdancing… and ultimately, you started making your own
music… how did that all come about?
Well,
it all started when I first saw the Malcolm McLaren video for
"Buffalo Gals" -- the first visual interpretation of hip-hop,
really -- and the next thing you know, I went out and starting
breakdancing on the concrete and shit -- and all of a sudden,
it was a part of my life. The two things just went together…
You
didn't lay down linoleum?
(Laughs)
Yeah, yeah, we didn't bring out the lino -- I just spun on the
concrete on my head! It's a laugh, now, when I think of what
my bedroom used to look like… all tagged up in graffiti, with
cardboard down on the carpet, like a bedroom right out of "Beat
Street"! (Laughs) …So that got me into the hip-hop culture,
obviously, and it got me into mixing and scratching. And I've
always been fascinated with music and electronics. We used to
break into TV factories, you know, where you have all the old
TVs in the back, cut the speakers out of the TVs, and make speaker
boxes of out shoe boxes, and have about twenty of these things
right up in your bedroom! There was a real experimental edge
there… especially with the DJ aspect, and scratching, and messing
about with sounds in that way -- buying some old James Brown
stuff and setting it to my own beats. And that led to me wanting
to create my own shit -- there was always that hunger there,
to want to do something yourself.
You
have a DJ Kicks CD out now. What was it like being approached
by K7 to do a mix of other peoples' music? You're more known
for creating our own music, or producing other artists' music...
Well,
I started out as a DJ, so it was kind of natural. I think that
the theory is, that on a mix CD, if the person putting the mix
together is a producer, you get a chance to see what kind of
foundation inspires them. It's kind of a honor, really.
A
lot of DJs that come out with compilations often say that they've
had to compromise when it comes to getting the rights for certain
songs and that their mix CDs are never quite what they wanted
them to be.
Yeah,
oftentimes you get the experience where you start off with thirty,
thirty-five songs you want to use. Then you end up with what
you end up with -- like, nine tunes or something. You end up
having to make do with the ones you've cleared. There might
be two or three records that you know go well together, from
DJing them out...
So
it doesn't go exactly as you visualize it.
Right.
And then you have the problem where you have 75 minutes on the
CD, and 75 minutes just isn't enough for what you want to do.
When
I saw your DJ Kicks CD, I nearly laughed! You've got 23 tracks
on there... I thought, how did he manage to fit them all in?
It's
incredible, isn't it? (laughs)
Now,
in addition to your own music and DJing, you've also worked
with De La Soul. How did that all come about?
Basically,
it was through their management, really... Posdnuos (of De La
Soul) had heard one of my tracks and was really into it... this
was about two years ago... I came over to New York about two
years ago and did some work with them. Two years down the line,
it still hasn't sunk in, that I've managed to work with a group
that was so influential in hip-hop.
3
Feet High and Rising has to be one of the greatest hip-hop
albums ever.
It
was really a turning point in hip-hop. They're icons in hip-hop,
they turned hip-hop in a brand new direction. That's what I
love about hip-hop. There's always someone who'll come along
and influence the direction of hip-hop, and De La Soul were
definitely a big part of that.
In
other news, I understand you have a clothing line coming out
called "True Herbalist"!
(Laughs)
Wow, you've done your homework! It's all based around the same
artist that's done that artwork for all the Nightmares albums.
We realized along the line that we were getting a concept together,
and it's just grown on its own. It grew out of the last tour,
and the idea of merchandising, and we thought, you know, it
would be really nice to do something that was really "Nightmares
On Wax". It's like we're creating our own little world.
You go out to all these shows, and you see all these people
there that are into your music, and have really experienced
your music -- not through the media, or reviews, but from being
back at someone's house, or maybe at the beach... all these
people, who've experienced our music, say things about the music
to me, and the feeling that I've felt is that in listening to
our music, that we've created our own little world.
I
remember hearing Smoker's Delight for the first time
at a friend's apartment, and being totally amazed by it. I think,
especially with your earlier releases, that it's all been word
of mouth among fans. There's never been some sort of big media
push.
I
listen to some of the tracks on that album and think, it was
four or five years before I even put them out. At first, the
music was something for me and my friends to listen to and enjoy.
And now, we've got memories that are associated with tracks
on that album. The music brings back memories. And the fact
that everyone else has their own memories associated with it
-- it's amazing. I don't think I could ever repeat or redo what
I did there, because it's just lived on its own. It's gone off
and become a part of other people's lives. And, like you said
-- the word of mouth thing -- you couldn't buy that.
I
ran to the store and picked it right up. It has an impact that
just sticks with you.
I
listen to it now, and even I can't remember half of the things
I did. There was something there that was present just at the
time I was doing it, and once it's out there, it doesn't belong
to you anymore.
It
takes on a life of its own.
Exactly.
And none of that could have been premeditated or planned.
So
can we expect to see you DJing here in the states anytime soon?
I'm
planning on coming out here around the end of December and doing
a few weeks' tour. And in the new year, I'd like to get the
band here. I haven't been able to get the band here yet. I'd
like people to actually come out hear the music, and to feel
the musicianship in what we do as well.
You
also have a CD coming out next year called Mind Elevation.
What can we expect to hear on the new CD?
That's
a tough question, but I've got a really easy cop-out! (Laughs)
Natural progression!
Any
last words?
Yeah
-- be sure to check out www.nightmaresonwax.com.
(Laughs) Cheers!
DJ
Kicks: Nightmares On Wax (!K7)
is out now.