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Rewind
No
Matter How Many Times You Ask, We Won't Let You Borrow These Records
Words by Tony LaGatta
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| Aerosmith
- Live! Bootleg |
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Columbia
Records, 1978
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Alright,
already.
I
finally have to write this review, and you may be wondering "Good
Lord, why an Aerosmith
review?!? Their new stuff is kinda crappy, so who wants to listen
to the old stuff?"
Well,
It wasn't always that way. I am a firm believer that after they
got off drugs, their albums started to suck
(although not their live shows, which remained powerful). I
am not condoning drug use here, especially as fuel for creative
endeavors, but it seemed to work well for this band. Take the
album Rocks, for instance. It's a classic album, one everyone
should own, but that's another review, and I digress.
The
record in question here was recorded live throughout Aerosmith's
tour of 1978-1979, with a few other interesting tidbits thrown
in. Those tidbits are some of the best material on the album;
a couple of old school blues numbers recorded at a club, and the
hit "Last Child", recorded at a club as well. Their
cover of the Beatles' "Come Together" is well-known
and quite good, but what I really love about Live! Bootleg
is this -- its energy is amazing and sound quality acceptable,
but more to the point, it conveys the raw power of a great live
band at their peak. There were a lot of great two-guitar bands
out there back then -- the Rolling Stones come immediately to
mind -- but Joe Perry and Brad Whitford's seamless execution is
readily apparent and simply amazing to listen to. Steven Tyler's
voice is young and fresh and leering and nasty -- as it should
be.
There
are only a few really great live albums out there, and this one
is near the top of my list. It so well captures a great moment
in time of a band that has gone the distance. I remember seeing
Aerosmith at the tender age of 13 in Utica,
NY, and this record brings back a flood of memories for me.
It'll have the same effect on anyone
old enough (groan!) to remember what a good concert was like
in those days. Even those not
old enough will probably love this record. It is that
good.
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