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| Regis:
Angel to some, demon to others. |
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Are
we as a society doomed now that Regis has his own line of
clothing? I mean, I don't really know any millionaires, but
even if I did, I doubt they'd want to wear his line of clothing.
I used to dig the solid tie, solid shirt thing. Now I'm not
so sure. Help me, I'm confused. Mark S. - St. Louis, MO
Rivers
running red with blood. Fire raining down from the skies.
Locusts. Regis Philbin as style icon. Although these are indeed
sure signs of the coming Armageddon, it could be worse. Thankfully,
the Richard-from-Survivor bare-assed look never quite took
off, saving us from scads of flabby, pasty buttocks flapping
in the summer breeze. But we digress. TV personalities as
style icons traditionally last as long as the ratings dominance
of their shows. Remember the "Jennifer Aniston"
haircut? The "George Clooney" caesar cut? The "Blue's
Clues" rugby shirt craze? (OK, we made that last one
up).
The
point is that trends are transient and style is perennial.
Regis may have popularized the monochromatic shirt-and-tie
combination, but he certainly didn't originate it. Designers
such as Giorgio, Donna and Calvin have been working this look
for years. If it works for you, then there's no reason to
change.
However,
if you'd like to distinguish yourself from the Reege, you
don't have to be a millionaire -- or even want to marry one
-- to exercise a couple of options in spicing up your shirt
and tie combinations. First, and cheapest, is to mix what
you've got. Or, if you've got a little cash to spend, invest
in some new ties -- although vibrant colors are making a comeback
(most notably orange), you can deviate from the strict limitations
of perfectly matched shirts and ties by going for a muted
tonality. Mix light grey shirts with darker grey ties. Experiment
with similar earthtones. Think subtlety instead of uniformity
in your combinations. The variations are endless, and so are
the possibilities. And that's our final answer.
Got
a style question? Send it to us at comments@ffwdmag.com.
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